Saturday, May 14, 2011

Pure i-20 iPod dock & dac


I was thrilled when I discovered the $100 Pure i-20 iPod dock and dac. I had been using a Wadia 170i itransport to get a pure digital signal out of my iPod. The Wadia cost me nearly $400, so it was the single most expensive piece of hifi equipment I owned. It also needed an external digital to analog converter ("dac"). The Pure i-20 sounds just as great, costs a fraction of the price and has a great sounding internal dac. It also has both coaxial and toslink outputs if you want to pair it with an external dac (the Wadia only has a coaxial output). The Pure i-20 also has a much smaller footprint, so it pairs up really nicely with a small amp like my Qinpu A-3 or a T-amp to create an inexpensive and minimal audiophile system. I couldn't be happier. This really makes listening to digital music easy and satisfying. An enthusiastic thumbs up!

Friday, February 4, 2011

John Abercrombie, Arcade (ECM 1978)


A nice OOP John Abercrombie recording. Solid playing all around with some of John's signature electric mandolin. While I realize Abercrombie has a large number of ECM recordings, I'm surprised this one remains out of print.
Tracks:

  1. Arcade Abercrombie 9:36
  2. Nightlake Beirach 5:31
  3. Paramour Abercrombie 5:06
  4. Neptune Beirach 7:30
  5. Alchemy Beirach 11:31

Wednesday, November 24, 2010

Odean Pope, Out for a Walk (Moers 1990)


Most sites list this disc as a 1990 release, but Odean Pope's official website lists it as a 1980 recording, two years before Almost Like Me. Regardless, Out for a Walk starts where Almost Like Me leaves off. The two discs could easily have been recorded at the same session. It's the same line up, with Gerald Veasley on bass and Cornell Rochester on drums stretching out and playing some serious modern music. There's nothing else out there quite like this, funky modern Philly jazz with some amazingly serious bass. Not to be missed.

Sunday, November 21, 2010

Odean Pope, Almost Like Me (Moers 1982)


Here's Odean Pope's outstanding and very hard to find first release as leader. Some hard-core funky slap bass Philly modern jazz, with Cornell Rochester on drums and Gerald Veasley on bass playing some of their best work. This is the album Jamaaladeen Tacuma should always have recorded. Don't miss track 7, the deeply funky and African influenced "Mwalimu." Highly recommended.

Track Listings
1. Elixir
2. Almost Like Me
3. Multiphonics
4. Scorpio Twins
5. No Air
6. Kyle's Theme
7. Mwalimu
8. Good Question

Monday, November 1, 2010

Miles Davis, Avery Fisher Hall NY 1975


Any 1975 recording of the funk collective is a treat, and this July 1975 band recording is a real surprise. The sound quality is surprisingly good, and it's a rare recording of the funk collective at its height. Personnel is:
Miles Davis (tpt, org)
Sam Morrison (ss, ts, fl)
Pete Cosey (g, perc)
Reggie Lucas (g)
Michael Henderson (el-b)
Al Foster (d)
James Mtume Foreman (cga, perc)

Tracks:
Band warming up 0:53
Turnaroundphrase (M. Davis) 15:14
Tune in 5 (M. Davis) 4:14
Cga/thumb piano/rhythm box interlude from 2:40.
Maiysha (M. Davis) 18:30
Untitled original 750505 (M. Davis) (with applause, announcement) 3:27
Right Off (M. Davis) 12:53
Mtume (M. Davis) 6:57
Latin (M. Davis) 6:46
Ife (M. Davis) 13:16

Sunday, October 17, 2010

Harry Pepl Quartet, N.Y.C. Impressure (Extraplatte, 1992)


A hard hitting and impossibly hard to find album from the ever obscure Austrian guitarist Harry Pepl. Many of the tracks could easily be from one of Steve Coleman's best albums from the same era. Apparently this was recorded the day after a gig at the Knitting Factory. An unusually concise and funky album from the usually outside Pepl with more than the occasional nod to Miles. With Claus Stötter on trumpet and fluegelhorn, Paul Nowinski on bass and Jojo Mayer on drums. When Pepl channels Hendrix on La La La it takes my breath away. My favorite Pepl album and an easy thumbs up.

Friday, October 1, 2010

The Atlantic Family Live at Montreux (Atlantic 1977)


Killer big band jazz funk from the mid seventies. The line up is pretty amazing: The Don Ellis Orchestra, the Average White Band, the Brecker Brothers, Herbie Mann, Sonny Fortune, Klaus Doldinger, Richard Tee, Luther Vandross and well the list goes on and on. How did they get all these guys on the same stage? It's got some cheesy dated synth here and there, but the grooves are rock solid and the playing is intense. The extended "Pick up the Pieces" was edited and released on the rerelease of the Average White Band CD. I picked this up when it came out, and I still love it.

Tracks:
1 Bahia (Na Baixa Do Sapateiro) 16:32
2 Jadoo 10:34
3 Everything Must Change 6:21
4 McEwan's Export 8:58
5 One to One 9:10
6 Pick Up the Pieces 21:40

Personnel (from Wikipedia):
* Ben E. King - lead vocals
* Sonny Fortune - alto sax
* David "Fathead" Newman - alto sax
* Roger Ball - alto sax
* Herbie Mann - flute
* Dick Morrissey - tenor sax
* Molly Duncan - tenor sax
* Klaus Doldinger - tenor sax
* Michael Brecker - tenor sax
* Jaroslav Jakubovic - saxophone
* Don Ellis - trumpet
* Gilman Rathel - trumpet
* Lew Soloff - trumpet
* Randy Brecker - trumpet
* Alan Kaplan - trombone
* Barry Rogers - trombone
* Richard Tee - electric piano
* Jim Mullen - guitar
* Hamish Stuart - guitar
* Rafael Cruz - percussion
* Sammy Figueroa - percussion
* Rubens Bassini - percussion
* Alan Gorrie - bass
* Steve Ferrone - drums
* Onnie McIntyre - guitar


Backing Vocals:

* Alfa Anderson
* Diane Sumler
* Diva Gray
* Krystal Davis
* Luther Vandross
* Peter Cox
* Robin Clark