Friday, March 12, 2010

Henry Threadgill Sextet, When Was That?, (About Time, 1982)


From Thom Jurek at allmusic.com "Finally! After almost two decades of CDs we get reissues of saxophonist/composer Henry Threadgill's legendary sextet from the early 1980s. And while it's true that this band put out some hellishly great records for RCA during the middle of that decade, the trio of albums from About Time is arguably its greatest period. This is the band that included cornet wiz Olu Dara, trombonist Craig Harris, longtime cohort Fred Hopkins on bass, piccolo bassist Bryan Smith, and drummers Pheeroan Aklaff and John Betsch! Threadgill's compositions at the time were wonderfully strident exercises in both restraint and open-door improvisation. His melodies were as rooted in R&B traditions -- as evidenced here by the free for all "10 to 1" -- as they were in the new forms put form by Ornette Coleman (check "Melin" and the title track). Threadgill's main thrust was to create a series of modal environments whereby all instrumentalists would engage with one another in the framework of a particular tune, yet play different roles as the ensemble went on its way through the record. Therefore, his own flute playing, say on "Just B," would be organized differently than it was in "10 to 1," as would the particular weight of its solo. Nowhere does this play itself out more than in the rhythmic roles between Betsch and Aklaff, and in the bowed bass atmospherics of Hopkins and Smith. Ultimately, however, this band swung together, no matter how far out the proceedings got. They always returned to Threadgill's magically inherent lyricism and humor in the end, and each and every track here bears that out. This is a nearly mystical album in the life of this band, and, at last, folks who own CD players get a chance to find it out for themselves."

Wednesday, March 10, 2010

Henry Threadgill Sextet, Just the Facts and Pass the Bucket, (About Time 1983)


Dusty Groove America writes: "Overlooked genius from Henry Threadgill -- one of his under-exposed 80s sessions for the About Time label, and work that's every bit as great as his better-known sides for Delmark or Black Saint! The group here has a nice sense of freedom and interplay -- almost a quality that hearkens back to Threadgill's roots in the AACM, thanks to strong contributions from Craig Harris on trombone, Olu Dara on trumpet, Fred Hopkins on bass, Deidre Murray on cello, and both Pheeroan Aklaff and John Betsch on percussion."

Saturday, February 27, 2010

Masabumi Kikuchi, Susto, (Sony 1981)


Mike Peden wrote this over at the Kozmigroov site: "A wash of electronic jazz sound with chattering guitars and a solid bottom end which hits a groove and stays on it. Heavily influenced by Miles Davis electric projects but with better dynamics and more focused recording/production. Features a cast of all stars including Airto, Grossman, James Mason, Liebman, Hino, Aiyb Dieng -list goes on and on. Bought a copy about 18 years ago and still play it now-highly recommended." I concur. Here's personnel and track information from the Poomaniac discography:
Sony SRCS9378
Recorded Nov/1980 at Sound Ideas Studios,NYC Dec~Jan/1981
at Sony Roppongi Studio,Tokyo
[personnel]
Masabumi Kikuchi(Fender Rhodes elp,Korg PS-3300,PS-3200, MS-20,DL-50, BX-3,synthe bass SB-100,Sansui P-1, parametric equalizer for the sound system), Terumasa Hino(cor,bolivian-fl), Steve Grossman(ss,ts), Dave Liebman(ss,ts,a-fl),Richie Morales(ds),Victor "Yahya" Jones(ds), Hassan Jenkins(b),James Mason(gt),Butch Campbell(gt),Marlon Graves(gt), Barry Finnerty(gt),Billy Paterson(gt),Alyrio Lima(perc),Aiyb Dieng(perc), Sam Morrison(wind driver,ss),Airto Moreira(perc),Ed Walsh(synth prog) Pruducer:Kiyoshi Itoh
[track list]
1.CIRCLE/LINE
2.CITY SNOW
3.GUMBO
4.NEW NATIVE
(All compositions by M.Kikuchi)

Sunday, February 21, 2010

Terry Riley, You're No Good, (Organ of Corti 1967)


Continuing the theme of "prescient" from the previous post on Esperanto, this album is the pre-electronica bomb. The album cover sums it up nicely. Riley deconstructs a little known mid 60s soul tune, adding harsh electronics, echo, loops, phasing and jarring juxtapositions of various musical elements. It's remixing 30 years before it became fashionable. The second track is a nice live recording of Poppy Nogood. Awesome! My rip of the out of print cd that is currently selling for silly money.

Saturday, February 13, 2010

Ryuichi Sakamoto Esperanto, (Midi Inc., MDCZ-1126, 1985)


An unusually prescient album, Esperanto from 1985 charts the direction of abstract electronic beats to come. I bought it because it features Arto Lindsay. I was in Tower Records near Fisherman's Wharf in San Francisco, and that first track "A Wongga Dance Song" came over the speakers. I recognized Arto's guitar work (it's hard not to) and ran to the counter to ask what the heck it was. Well, it was insanely expensive then ($27 for a Japanese import CD back in 85) and sells for silly money now. Still sounds cool and modern.

Thursday, February 4, 2010

La Monte Young, Just Stompin': Live at the Kitchen (Gramavision #79487, 1993)


The perfect album. I love the blues and the Dorian scale. La Monte Young stretches out with some bluesy jams, but always keeps the minimalistic piano drone. For me, and I'm no fan of just intonation, this one hits it on the head. This album deconstructs the blues better than any other. My rip of the out of print CD that sells for silly money now.
Credits:
Keyboards - La Monte Young
Bass - Brad Catler
Drums - Jonathan Kane
Engineer - Bob Bielecki
Guitar - Jon Catler
Mastered By - Chris Muth
(A 128 kps rip of the well tuned piano is over at
direct-waves)

Saturday, December 26, 2009

Miles Davis, Live at Troubadour Club, Los Angeles, January 17-19, 1975 (ER013)


This apparently was Miles' last American west coast gig before flying out to Japan for the historic Agharta and Pangaea concerts. I snagged it from the fantastic blog elastic rock but for some reason it doesn't seem to be there anymore. Personnel:
Miles Davis (trumpet, keyboards)
Sonny Fortune (soprano & alto sax, flute)
Pete Cosey (guitar, keyboards)
Reggie Lucas (guitar)
Michael Henderson (bass)
Al Foster (drums)
James "Mtume" Foreman (percussions)